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Road Noise!
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Movies and TV series have always used certain ethos to draw audiences into their stories, whether it be production, wardrobe, or special effects. Directors are always intentional in their creative choices, especially with music. King of the Hill, being one of the most iconic adult animated series of the 1990s, has successfully utilized music to connect its audience to the series' characters, animation, culture, and southern charm. In fact, according to Mike Judge in an interview with Billboard LifeStyle, he expresses that the music of King of the Hill reflects his blue-collar neighborhood upbringing, ranging from classic country to 80s rock, which he wanted to translate within the series, to give the audience a personal connection, and it successfully does so!
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| Willow catches the ball with victorious music |
In the Intros, the creators immediately utilize the visual montages accompanied by Uppity Hill Billy music to set the Texan tone and comedic absurdity of the show, and often use a soft acoustic soundtrack to introduce us to the first scene for every episode and a transition. In fact, the acoustic soundtrack has become a staple in the series, especially when Hank and other characters within Arlin, Texas, come together in emotional moments that end in unity and closure, not just as a
community, but also in the Hill Household. Specifically, in Season 14, episode 7, in “Any Given Hill Day,” Mike Judge exercises music within the plot, where Bobby, working at his restaurant in Dallas, comes across his favorite customer, Peter, a regular, who dies of a stroke, causing Bobby to reflect on his relationship with his father after he attends Peter's funeral. His reflection, accompanied by poignant acoustic music, gives the audience a sense of the sorrow Bobby is feeling, the fear he could lose his dad at any moment, prompting him to buy tickets to the Dallas Cowboys Fantasy Camp to spend time with him. However, like every television episode, we are introduced to the problem—cue dramatic music! Bobby’s vegan girlfriend, Willow. Willow is the foil to Hank's traditional values, from refusing to eat meat to experimenting with her earth-based lotions on Bobby, which Hank doesn’t appreciate.
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| Dramatic Music |
Throughout the episode, she becomes a constant problem and joy to Hank and Bobby, from forcing Hank to eat a vegan casserole to being an all-star football player, music, and even their conversations are utilized to show this dynamic. For instance, Willow, unlike are southern titular characters, speaks in a normal modulated voice rather than a southern drawl; she has piercings and lopsided hair and speaks about environmental issues, making her immediately stand out. When she forces-feed Hank the casserole, the action is immediately accompanied by dramatic orchestral music, showcasing the shock in Bobby and Peggy’s faces, the levity of her actions, the evident anger in Hank’s face, and to show the audience that she f***ed up. However, later on in the episode, as Willow tags along with Bobby and Hank to the fan football camp, we see Willow’s athleticism and physical aptitude for football, greatly impressing Hank. A rock montage accompanies this as we see Willow decimate the opposing team through her superior passes, her fine agility, tactical precision, and her ability to hold her own on the field. But the rock and roll montage also reveals Bobby’s suppressed insecurities and feelings about not being athletic enough for his father. Making the audience “Us” feel for Bobby as he watches Willow and his father cheer each other on. But by the end of the episode, from Bobby and Hank’s father-son heart-to-heart talk in the locker room to Willow’s “accident” in Jerry Jones' office. Our character’s journey ends in a quiet car ride and closure between father and son, accompanied by the iconic acoustic soundtrack.
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